Photoshop tutorial how to use mask
You can download the images needed to work along with this tutorial. Visit Mark Galer's site (link opens in a new window) for instructions on how to access them. The images are high resolution and will make it easier to reproduce the exact effects from this tutorial.
Original Venice image by Craig Shell (sky by Mark Galer)
Drama in Venice
Venetian classical painters had a passion for moody and tempestuous skies (just Google the Tempest by Giorgione to see one such example). I now find it hard to look at an image of Venice with a featureless sky.
The sky is an essential ingredient of any memorable landscape image. Unfortunately it is not something the photographer can control unless we have limitless time and patience. The commercial photographer is often required to deliver the goods on a day that suits the client rather than the photographer and weather forecast. In these instances it is worth building a personal stock library of impressive skies that can be utilized to turn ordinary images with bland skies into impressive ones. The digital compact set to a low ISO is ideal for capturing these fleeting moments. The most useful skies to collect are the ones that include detail close to the horizon line, i.e. captured without interference from busy urban skylines, such as can be found at the beach or in the desert.
A stock library of skies is included on the DVD of the new Photoshop CS3 Essential Skills book (published by Focal Press) to help you start, or add to, your own collection. In this project we explore how a sky can be adapted to fit the landscape so the montage is not immediately obvious.
Original Venice image by Craig Shell (sky by Mark Galer)
Drama in Venice
Venetian classical painters had a passion for moody and tempestuous skies (just Google the Tempest by Giorgione to see one such example). I now find it hard to look at an image of Venice with a featureless sky.
The sky is an essential ingredient of any memorable landscape image. Unfortunately it is not something the photographer can control unless we have limitless time and patience. The commercial photographer is often required to deliver the goods on a day that suits the client rather than the photographer and weather forecast. In these instances it is worth building a personal stock library of impressive skies that can be utilized to turn ordinary images with bland skies into impressive ones. The digital compact set to a low ISO is ideal for capturing these fleeting moments. The most useful skies to collect are the ones that include detail close to the horizon line, i.e. captured without interference from busy urban skylines, such as can be found at the beach or in the desert.
A stock library of skies is included on the DVD of the new Photoshop CS3 Essential Skills book (published by Focal Press) to help you start, or add to, your own collection. In this project we explore how a sky can be adapted to fit the landscape so the montage is not immediately obvious.
Hope you like it, kindly for any questions, ask me in the comment, or by email: Khaterbruno@gmail.com.
0 comments